Friday, May 14, 2010

Recommended Hotels in CAPPADOCIA

Cappadocia MUSEUM HOTEL

This is a most unique hotel consisting of a combination of restored caves carved into the living rock. more »




Cappadocia ROSE MANSIONS

Rose Mansions consists of two old Greek houses built on an area of 4000m2 in the mid 1900s. The restoration of our Mansions was started on September in 1998 and completed on June in 2002. more »



Cappadocia TASKONAKLAR

Waking up to a dream... A village, thousands of years old; buildings, untouched since 1950s when their inhabitants left in search for more modern places...
more »


Cappadocia MELEKLEREVI

The first time we saw this land of beautiful horses, Cappadocia, and its magical fairy chimneys, we knew we had to leave our own mark on this land that has been home to different civilizations for centuries. more »


Cappadocia SERINN HOUSE

Located in Urgup's most beautiful district, with magnificent views of the town and surrounding mountains, The Serinn offers guests a level of luxury and comfort unparalleled in the region. more »

HOTELS in TURKEY

ALANYA Hotels
BODRUM Hotels
KALKAN Hotels
ALACATI Hotels
BURSA Hotels
KAS Hotels
ANKARA Hotels
CAPPADOCIA Hotels
KUSADASI Hotels
ANTAKYA Hotels
DATCA Hotels
MARDIN Hotels
ANTALYA Hotels
FETHIYE Hotels
MARMARIS Hotels
ASSOS Hotel
GAZIANTEP Hotels
OLYMPOS Hotels
AYVALIK Hotels
ISTANBUL Hotels
SELCUK Hotels

Thursday, May 13, 2010

Travel TURKEY

ISTANBUL Tours
SOUTH EAST Tours
CULTURAL Tours
CAPPADOCIA Tours
BLACK SEA Tours
ADVENTURE Tours
AEGEAN Tours
PILGRIMAGE Tours
TURQUOISE CRUISE
COOKING & GOURMET
RUGS & TEXTILES

Mazi Underground Cities

The village of Mazi, named ‘Mazata’ in ancient times, is 18km south of Ürgüp and 10km east of Kaymakli Underground settlement. On the steep slopes of the valley are rock tombs dating back to the Early Roman Era, whereas on the plateau there are tombs in great number dating back to the Byzantine Period.

The underground settlement was hollowed out on the west slope of the village, which is situated in the steep valley. Four entrances have been discovered in different places and the main entrance is a corridor made from irregular stones. The big millstone door in the short corridor enabled them to control the access to the city. The small room inside made the movement of the millstone door easier. Besides, there is an alcove opposite the millstone door to seal the passage completely. Therefore, it becomes impossible to get into the passage.

The places with columns, opposite the entrance, are the stables. The stables, covering a large area of the underground settlement are the same as the others. However, the presence of a trough, hollowed out of rock, in the middle of one of the stables is a feature that makes this underground settlement different from the others. The great number of stables indicates that many animals were raised; therefore, the people had a high economic standard.

Uzumlu Church

The Grape Church is located at the beginning of the Red Valley, to the west of the town of Ortahisar, about 1km from the road. The fairy chimney, in which the Grape Church is found, is hollowed out like a monastic complex where monks lived. The lower level of the fairy chimney is the church and the upper level is a chamber -which can be seen from outside due to the partial collapse of the walls- with a cross relief on the ceiling.

The church has a square plan with one apse and one nave. At the far end of the nave is a grave niche. This church is also called The Church of St. Nichlitas due to the presence of an inscription of St Nichitas in he dedication inscription of the church.

The nave with a flat ceiling is decorated with rich embellishments. The orange coloured surface is decorated with a cross composed of circles and rectangles and bunches of grape and geometrical motifs around it. The border is embellished with medallions with Maltese crosses.

Although it is not definite, the common belief is that the church dates back to the 8th or 9th century.

Scenes:On the apse Enthroned Mary holding Baby Jesus and Archangels Michael and Gabriel by their sides, on the north and south sides of the nave twelve apostles and doctor saints.

Theodore Church

St. Theodore ( Tagar ) Church
The village of Yesiloz, which houses the Tagar church, lies to the right of the Urgup - Kayseri road, about 8.5km (13km)from Urgup. The dome of this "T" planned church is now covered in glass, the original having collapsed. The upper floor gallery is reached by a stairway, and this is the only example of such church architecture in Cappadocia. The generally well preserved frescoes were painted by three artists, all with their own style. This church, devoted to St. Theodore, dates back to the 11th-13th centuries.

Scenes: Deesis, Annunciation, Nativity, Prophetic vision, Communion of the Apostles, Crucifixion, Archangels Gabriel and Michael and portraits of saints in the insets.

Pancarlık Valley

Pancarlik valley lies to the south of Ortahisar, and to the right of the road leading from Urgup to Mustafapasa. The church has one nave, one apse and a flat ceiling. The frescoes in this church are well preserved, and most of them are painted on a green background. At first glance it appears that two different artists were responsible for the paintings, but on closer inspection it is apparent that the same artist painted all the frescoes. In the church, the scenes from the Bible follow one another in sequence and portraits of saints in insets border these scenes on both sides. The church dates back to the first half of the 11th century.

Scenes: Prophetic Vision, Annunciation, Visitation, Proof of the Virgin, Journey to Bethlehem, Nativity, Adoration of the Magi, Joseph's Second Dream, Flight into Egypt, Massacre of the Innocents, Presentation of Jesus at the Temple, Pursuit of Elizabeth, Calling of St. John the Baptist, Baptism, Temptation of Jesus, Wedding at Cana, Miracle of the Wine, Miracle of the Loaves and Fishes, Calling of the Apostles, Healing of the Possessed, Healing the Lepers, Healing of the Disabled Woman, Raising the Daughter of Jarius, Miracle of the Fishes, Jesus and the Samaritan Woman, Transfiguration, Way of the Cross, Crucifixion, Anastasis, Ascension, Archangels Gabriel and Michael and portraits of saints in insets.

St.George Church

The Church of St. George (Kirkdamalti)
This church is built on an irregular hexagonal plan, and has a flat ceiling and one apse, which is now collapsed. Graves are situated in the floor and in niches. According to the inscription in the niche to the northeast, the donor of the church was a Georgian princess called Tamara, who also donated the land to the Church.

An inscription on one of the graves reads, "Purify our souls from sin, like the soul of a religious man ........ your servant".
The church was built between 1283 and 1295 during the times of the Seljuk Sultan Mesud II and the Byzantine Emperor Andronikos II.

Scenes: In the demolished apse Deesis, Nativity, Transfiguration, Crucifixion, Ascension, Koimesis (Falling Asleep of Mother Mary), Vow to St. George and portraits of saints.

Sumbullu Church

The Sumbullu ( Hycianth ) Church
The church is in the same direction as the Church of Agacalti and is 250m northwest of it. The place was actually built as a two stored monastery. On the lower floor is the church, and on the upper level is a barrel-vaulted chamber, access to which is gained with stairs. The facade has 3 niches and two arched doors. On the architrave's above the columns is a series of blind niches for decoration. The low dome is located to the east of the church with a flat ceiling and one nave. Each of the two naves, one to the north and one to the south, has one apse. The one in the north is barrel vaulted and the one in the south has a flat ceiling. The church is dated to the end of the 10th century and the beginning of the 11th century.

Scenes: On the dome is Jesus Pantocrator. On the apse conch are Mother Mary between Michael and Gabriel, Annunciation, Koimesis (Falling Asleep of Mother Mary), Presentation of Jesus to the Temple, Three Young Men in the Fiery Furnace, and paintings of saints.

Kokar Church

This single nave, barrel vaulted church is entered by way of the collapsed apse. Beyond the nave the rock was further dug out to form a burial area.

The main color of the paintings is gray. A large cross is painted on the well- preserved vault, and the hand, painted within a square in the centre of the cross, symbolizes the Triple Sanctification, around it is an embellishment, divided into four, full of geometrical patterns. The church is dated to the end the 9th century.

Scenes: Deesis, Annunciation, Visitation, Proof of the Virgin, Nativity, Adoration of the Magi, Baptism, Three Young Men in the Fiery Furnace, Flight into Egypt, Last Supper, Betrayal of Judas, Crucifixion, Women at the Empty Tomb, Ascension, Entombment, Pentecost and portraits of saint.

Agacalti Church

The plan of this church is cruciform, the arms of which are barrel-vaulted, and has a dome and three apses. The main apse and the southern apse are collapsed. Entrance to the church is by this collapsed main apse. It is also known as the church of St Daniel, due to the picture of St Daniel on the wall opposite the entrance. Red, gray and yellow were used on a white background to decorate the church. The vault of the north arm of the cross is covered in various motifs. This church belongs to the Pre-Iconoclastic period or between 9th and 11th centuries.

Scenes: Annunciation, Visitation, Nativity, Adoration of the Magi, Flight into Egypt, Baptism, Koimesis (Falling Asleep of Mother Mary),Daniel among the Lions; on the dome are Ascension and portraits of saints.

Larder / Kitchen / Refectory

These three areas lie side by side and are connected by passageways. The first section was used as a larder, with recesses hollowed from the rock being used as storage spaces. In the kitchen there is a "tandir", a type of oven still found in local village houses. The final section was the refectory. A long table carved from the rock extends from the left of the entrance. This would have seated 40 - 50 people. To the right of the table is a winery hollowed in the floor used for squashing grapes.

Buckle Church

TOKALI (BUCKLE) CHURCH
This is the oldest known rock-cut church in the region, and comprises of four sections: The Old Church with one nave; the New Church; the Lower Church under the Old Church; and the Parecclesion to the north of the New Church.

The single-naved, barrel-vaulted Old Church, built in the 10th century, today acts as the entrance to the New Church. Its apse collapsed when the New Church was added to the east wing. Frescoes are to be found on the vault and at the top of the walls. The life of Jesus is told on separate panels on the vault, running from left to right.


Scenes:Portraits of the saints are in the center of the vault. On the top panel of the right wing are Annunciation, Visitation, Proof of the Virgin, Journey to Bethlehem, and Nativity. On the top panel of the left wing are, Adoration of the Magi, Massacre of the Innocents, Flight into Egypt, Presentation of Jesus in the Temple and Killing of Zacharias. On the middle panel of the right wing are, Pursuit of Elizabeth, Calling of St. John the Baptist, Preaching of John, John meeting Jesus, Baptism and Marriage at Cana. On the middle panel of the left wing are, Miracle of the Wine, Miracle of the Loaves and Fishes, Calling of the Apostles, Healing of the Blind Man and Raising of Lazarus. On the lower panel of the right wing are Entry into Jerusalem, Last supper, Betrayal and Jesus before Pilate. On the left lower panel of the left wing are Way of the Cross, Crucifixion , Descent from the Cross, Entombment, Women at the Tomb, Anastasis and Ascension. Beneath this panel are portraits of the saints , and Transfiguration is painted over the entrance.

The New Church is transversally rectangular with a simple barrel voult. On the east wall there are four columns joined by arches, behind which there is a raised corridor in front of the main apse and two side apses. On this barrel vaulted nave is the story of Jesus in chronological order in mainly bright red and blue colours. The dark blue colour serves to distinguish the Tokal? Church from the other churches.

On the transversal nave are scenes from the life of St. Basil, portraits of some saints and pictures of the Miracles of Jesus. The Church is dated back to last decade of the 10th century and the first decade of the 11th century.

Scenes: On the north wing of the vault are Annunciation, Visitation, Proof of the Virgin, Nativity and Adoration of the Magi. On the north wall of the vault are Joseph's Dream and Journey to Bethlehem and below these in the niches are portraits of 8 saints. At the very bottom are Calling of St. John the Baptist, John meeting Jesus, Baptism, Presentation of Jesus in the Temple, Calling of Matthew, Calling of the Apostles and Marriage at Cana; on the west wing Flight into Egypt, Temptation of Christ and Christ in the Temple when Twelve Years Old, on the south wing of the vault are the First Diacons, Pentecost and Blessing and Mission of the Apostles; on the south wall of the vault are some unidentified angels, below them, in the niches, are portraits of saints; at the very bottom are Healing of the Nobleman's Son, Raising the Daughter of Jairus, Healing the Paralytic, Raising of Lazarus, Entry into Jerusalem and Last Supper. On the west wing is Washing of the Disciples' Feet, on the main apse conch are Crucifixion, Descent from the Cross, Women at the Tomb, Anastasis, on the front wall of the apse are the First Diacons and Jesus and the Samaritan Woman; inside the niche is Mother Mary and baby Jesus; and on the apse to the north is Prophetic Vision and angels.

Carikli Church

CARIKLI (SANDALS) CHURCH
This two columned church (two other columns being in the form of pillars), is cross vaulted, and has three apses and four domes. The well preserved frescoes show the life of Jesus, Hospitality of Abraham, and images of the saints and the donors of the church. Although it resembles The Karanlik (Dark) and Elmali (Apple) Churches, the scenes of Way of the Cross and Descent from the Cross make this church different from the others. The figures are generally large.

The footprints under the Ascension scene give the church its name, which means "with sandal". The church dates back to the end of the 12th and the beginning of the 13th centuries.

The center dome houses a picture of Jesus the Pantocrator with the busts of angels in the insets. On the central apse is Deesis, on the north apse Mary and the Baby Jesus, and on the south apse, a picture of St Michael.

Scenes: Nativity, Adoration of the Magi, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Betrayal, Women at the Tomb, Anastasis, Ascension and portraits of the saints.

Catherine Church

CHAPEL of St. CATHERINE
Situated between the Karanlik (Dark) Church and the Carikli Church, the Chapel of St. Catherine has a free-cross nave and narthex. The central bay is covered by a dome and the cross arms are barrel-vaulted. Its apse is closed by a templon. The narthex has nine floor graves and two arcosolia (burial niches).

Only in the nave of the chapel are some decorations with figures. The pendentives are decorated with carvings. The Chapel of St. Catherine, built by a donor named Anna, dates back to the 11th century.

Scenes: Deesis in the apse with the templon, below are Doctors of the Church (Gregory, Basil the Great and John Chrysostom), on the south wall of the northern arm is St. George, opposite St. Theodore, St. Catherine and other panels of saints.

Dark Church

The entrance to this church isfrom the north through a winding tunnel which opens into a barrel-vaulted narthex. In the south of the nartex there are three graves, two of which are big and th eother is small. The church has a cross plan, the arms of the cross having a diagonal vault. The templon of the main apse has been destroyed.

This Church dates from the end of the 12th and the beginning of the 13th centuries.

Scenes: Deesis, Annunciation, Journey to Bethlehem, Nativity, Adoration of the Magi, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Last Supper, Betrayal of Judas, Crucifixion, Anastasis, Women at the Tomb, Blessing and Mission of the Apostles, Ascension, Hospitality of Prophet Abr.

Yilanli Church

Yilanli ( Snake ) Church ( of St. Onuphorius )
The main section is transversally rectangular and barrel vaulted, whereas the extended space to the south, which houses the graves, has a flat ceiling. The apse was hollowed out of the long wall on the left and the church was left uncompleted. The entrance to the church is from the north. Portraits of the respected saints of Cappadocia are on either side of the vault. The church dates back to the 11th century.

Scenes: Opposite the entrance is a portrait of Jesus holding the Bible in his left hand. The donor of the church is pictured beside Jesus. On the east side of the vault are St. Onesimus, St. George and the Dragon, St.Theodore, and Helena holding the True Cross with her son Constantine the Great. On the west of the vault is the long haired, naked St. Onuphoius behind a palm tree, with St. Thomas in a sanctitying position beside him, and St. Basil holding a book.

Barbara Church

This church is situated behind the rock housing Elmali (Apple) Church. It has a cruciform plan, with two columns. The north, south and west arms of the cruciform are barrel vaulted, and the centre, the east arm, and the east corners are domed. There are a main, central apse and two side apses.

Motifs were painted in red directly onto the rock. The walls and the dome are decorated in a variety of motifs including geometrical patterns, mythological animals and military symbols. The walls also have motifs resembling stonework.

This church dates back to the second half of the 11th century.

Scenes: On the main apse is Christ Pantocrator, on the north arm are St.George and the Dragon and St Theodore, and on the west arm is St Barbara.

Apple Church

Aziz Basil Church

The church is located on the west side of Gomede Valley, about 2km west of the town of Mustafapasa. The church has a rectangular plan, two apses, and two naves with flat ceiling and supported by two columns. On the walls of the west nave are semi embossed columns decorated with red ochre paint and between them are niches. The nave to the east is decorated with embellishments of geometrical and floral motifs. To the side of this nave, facing the Gomede Valley and the door of which is partly collapsed, is a grave that might have belonged to the donor of the church.

The apse of the eastern nave is decorated with three Maltese Crosses bordered with palm leaves and in each of these the name of a Patriarch is written. The Maltese cross in the centre of the three, bearing the names instead of the paintings of the patriarchs, symbolizes Abraham and the others Isaac and Jacob.
Researchers state that these Maltese crosses symbolise Heaven or the three crosses on Golgotha hill. The big cross on the ceiling, around which are decorations with geometrical and floral motifs, symbolises St Constantinople according to the inscription on the cornice.

Along side these motifs related to the notion of Iconoclasm, two important saints, St.Basil and St Gregory of Nazianzus are depicted on the front of the apse. According to some researchers, the Chapel of St Basil dates back to the Iconoclastic Period (726-843) or to a later period.

Kizlar Monastery

The 6-7 storey rock mass to the left of the museum entrance is known as the "Nunnery". The dining hall, kitchen and some rooms on the first floor, together with the ruined chapel on the second level, can still be visited.

The church on the third storey, which can be reached through a tunnel, has a cruciform plan, a dome with four columns and three apses. The templon on the main apse is rarely found in Goreme's churches. Besides the fresco of Jesus, painted directly onto the rock, designs pained in red can alse be seen.

The different levels of the monastery are connected by tunnels, and "millstone doors", such as those found in the underground cities, were used to close off these tunnels in times of danger.

The tunnels connecting the levels of the Monastery, to the right, have eroded making it possible to only visit some of the ground floor rooms.

Meryem Ana Church

Meryem Ana (Kiliclar Kusluk) Kilisesi
This church lies on a steep slope to the south of the Kiliclar church, and behind the Tokali church, about 250m from the open-air museum. The rectangular nave is covered by two barrel vaults of different widths and depths. The church, dating back to the first half of the 11th century, houses portraits of saints, and four bible scenes.

Scenes: Deesis, Journey to Bethlehem, Nativity, Crucifixion, Koimesis and portraits of saints.

Kiliclar Church

This church is situated 600m NW of the Goreme Open Air Museum in Kiliclar Valley. It has a cruciform plan with four columns and a central dome. The arms of the cross are barrel vaulted. The ceilings in the west corners are flat, whereas those in the east corners are domed. There are three apses. The walls are richly decorated with frescoes illustrating a long narration from the Bible. The church dates back to the end of the 9th and the beginning of the 10th centuries.

Scenes: Prophetic Vision, Annunciation, Visitation, Proof of the Virgin, Reproaches of Joseph, Nativity, Adoration of the Magi, Joseph's Dream, Flight into Egypt, Presentation of Jesus in the Temple, Calling of John, John and the Christ, Baptism, Jesus and Zacchaeus, Healing of the Blind Man, Raising of Lazarus, Entry into Jerusalem, Last Supper, Washing the Disciples’ Feet, Communion of the Apostles, Betrayal of Judas, Jesus before Annas and Caiaphas, Jesus before Pilate, Denial by Peter, Way of the Cross, Crucifixion, Descent from the Cross, Entombment, Anastasis, Women at the Empty Tomb, Blessing and Mission of the Apostles, Ascension, Pentecost, Koimesis and portraits of saints.

El Nazar Church

This church is situated in El Nazar valley, about 800m to the right from the road to the Göreme Open air museum. This church was carved from one piece of rock in a "T" shape. It is cruciform with three apses, the main apse opening up in the centre where the barrel vaulted arms of the cruciform meet. The floor has been completely destroyed, as has part of the apse. The frescoes show scenes, which follow each other in chronological order. This church is dated to the end of the 10th century.

Scenes: Annunciation, Visitation, Nativity, Adoration of the Magi, Flight into Egypt, Presentation of Jesus in the Temple, Pursuit of Elizabeth, Baptism, Raising of Lazarus, Transfiguration, Entry into Jerusalem, Crucifixion, Anastasis, Ascension, and portraits of saints.

Yusuf Koc Church

As with the Durmus Kadir Church, this church has been named after the owner of the vineyard on which it stands. It is cruciform in design, with two apses and originally boasted four columns although these have now crumbled. This church dates back to the 11th century.

Durmus Church

Durmus Kadir Church
This basilica style church differs from the others in that it has a pulpit in the centre, its columns are thick and rectangular in shape, it has a baptistery and graves hollowed out of the walls in the first section. The church, dating back to the 6th and 7th centuries, displays some of the most beautiful examples of carved decorations.

Saru Han

It is located in the valley of Damsa, 5km southeast of the town of Avanos in the vicinity of Nevsehir and 6 km north of Ürgüp. The han is on the Aksaray-Kayseri route in the east-west connection.

Saruhan, built during the reign of Izzettin Keykavus I - maybe upon his orders - in 1249, covers an area of 2000 m square. Yellow, reddish pink and light brown regular stone blocks were used as building material in Saruhan.

A decorative look was achieved by using stone of two different colours in the arches of both the monumental portal and the inner portal. In the outer portal, the upper parts of which partly collapsed, mainly geometrical decorations were used like in the other sultanhans. Its domed mescid, unlike other caravanserais, was built above the monumental portal. The doorway of the mescid, facing the courtyard, is decorated with squinches with mukarnases. To the left of the large courtyard is a portico with a fountain and to the right are the places for accommodation and bathing. The small lines on some of the stones used in the porticoes are stonemasons’ marks. The hall where animals and their keepers stayed is similar to the ones in Aksaray Sultanhan and Agzikarahan. The oculus, seated on pendentives is quite plain.

The Han, the upper parts of which have collapsed in places, was returned to its original state with the completion of its restoration in 1991. After Saruhan, one of the latest examples of Sultahhans, the Seljuk Sultans did not have hans built.

Karatay Han

Perhaps the best preserved of all Cappadocian caravanserais is Karatayhan built by Celaleddin Karatay on the old Kayseri-Malatya road, part of the main trade route into Syria. Construction commenced during the reign of Alaaddin Keykubat and was completed during of his son Giyaseddin Keyhusrev in 1240/1241.

The endowment deed of Karatayhan tells us that it was built to serve both commercial and social functions. The ornately carved portal which dominates the south wall measures 46 by 80 metres, and projects both beyond and above the wall. The decoration includes floriate and figurative as well as geometric motives which distinguishes it from other Caravanserais. Along the eastern side of the courtyardt are a series of long narrow chambers with pointed vaults opening directly onto the courtyard, while an arcade runs down the western side.

Sultan Han Caravanserai - Kayseri

It is located in the village of Sultanhan (Tuzhisar), 45km along the Kayseri-Sivas road. It is understood from the inscription on the portal of the hall that the Han was built between 1232-1236 upon the orders of Alaaddin Keykubat.

Kayseri Sultanhan, covering an area of 3900 m square, is rather similar to Aksaray Sultanhan in terms of plan.

On both sides of the portal of Sultanhan, the entrance of which faces north, are towers , the lower parts of which are square whereas the bodies are semi-circle columns. Although its partially collapsed portal is an example of the classical Seljuk portals, it has a monumental appearance between these towers.

A square courtyard is reached through a hall with a high arch. The kö?k mescid, located right in the centre of the courtyard, is seated on four piers with arches. Access to the mescid is gained up two flights of stairs on the northern side. The decorations composed of geometrical motifs, rosettes, borders with double knots, and designs of symmetrical dragons on the fronts of the mescid and the arches are examples of expert stonemasonry. The terrace where the calls to prayer were done is reached by a flight of stairs from a niche in the mescid, the sanctuary of which is square planned and barrel vaulted.

The domed bath house, to the northwest of the courtyard, is composed of five divisions. The bath house is reached from the door on the northwest corner of the portico on the right hand side. First the entrance hall and the dressing room, then the domed bathing place with basins is reached. The cistern of the bath house,heated using underground heating, is in a rectangular plan and barrel vaulted. The other places with porticoes on this side belonged to guests and their animals. Opposite this section are the places also used in summer time.

The fronts of the porticoes and vaults facing the courtyard are equilateral arches. The portal of the winter hall, protruding about 2 m into the courtyard, has a monumental appearance, like the outer portal, due to the embellished decorations on its front and the workmanship, although its sides have no decorations.

Above the entrance of the portal, the outer border of which is composed of geometrical decorations, is a nine lined mukarnas. The entrance door is a basket-handled arch. Across the entrance is the middle nave and on the sides are 24 high vaulted arches with square piers in six lines in groups of four.

At the piers of the arches are the 60-70 cm high platforms separating the areas for people and animals. Places close to the walls were for the animals whereas places close to the middle nave were used by travellers and the middle nave was communal for services. The oculus, 6 m in width and quite high, is seated on pendentives. In this section also is a prayer written in a scattered way.

Kayseri Sultanhan was restored to its present state in 1951.

Sultan Han Caravanserai - Aksaray

This is located in the town of the same name, 40km from Aksaray on the Aksaray to Konya road. It is one of the most magnificent Seljuk Caravanserais, and was built in 1228 upon the orders of Sultan Aladdin Keykubad.

The rectangular courtyard, with a mosque in the centre, is entered by way of a splendid portal. Porticos line the right side of the courtyard, while rooms and storage areas are found on the left. A second portal on the left of the courtyard leads to the stables. In this section 32 piers in groups of 8, and in four rows, support the vaults.

The only light source here is an oculus the dome, which resembles a cone on the outside.

Agzikarahan Caravanserai

This well preserved Caravanserai is 15km from Aksaray, on the Aksaray-Nevsehir road. Its construction began in 1231 during the reign of Alaaddin Keykubad, and was finished during his son, Keyhusrev's reign. The small mosque rests on four pillars directly opposite the portal. Unlike in the other caravanserais, the closed area is not opposite the portal, but to the left.

Regional Festivals

TRADITIONAL AKSALUR CHERRY FESTIVAL
Place and Date: Aksalur 15-30 June
Organization Commity: Aksalur Municipalty
Phone:(384) 371 70 03
Fax:(384) 371 70 02

TRADITIONAL ORTAHISAR TOURISM AND LEMON FESTIVAL
Place and Date: Ortahisar 23 june
Organization Commity: Ortahisar Municipalty
Phone:(384) 343 32 04 - 343 32 24
Fax:(384) 343 30 04

TRADITIONAL GORE TANDOUR BEAN FESTIVAL
Place and Date: Goreme 12 August
Phone:(384) 232 80 09
Fax: (384)232 81 73

HACIBEKTAS COMMEMORATIVE CEREMONY AND CULTUREL ART ACTIVITIES
Place and Date: Hacıbektas 16-18 August
Organization Commity: Hacıbektas Municipality
Phone:(384) 441 30 17 – 441 36 51
Fax:(384)441 36 38

AVANOS INTERNATIONAL TOURISM AND HANDCRAFT FESTIVAL
Place and Date: Avanos 31-01 September
Organization Commity: Avanos Municipality
Phone:(384) 511 40 64
Fax:(384) 511 40 65

INTERNATIONAL WINE COMPETATION AND GRAPE HARVEST FESTIVALPlace and Date: Urgup 14- 15 September
Organization Commity: Urgup Municipality- General Manager of Tekel
Phone:(384)341 40 08- 341 40 70
Fax:(384) 341 42 26

INTERNATIONAL WORLD PEACE FESTIVAL
Place and Date: Nevsşehir: September 3. Week
Organization Commity: Governor of Nevsehir- Nevsehir Municipality
Phone:(384) 213 12 20
Fax:(384)213 19 91

River Fishing in Red River ( Kizilirmak )

Just middle of the town (Avanos),flows one of the longest waterway of Turkey with it’s beautiful rafting points and fishing areas,to be found anywhere in the world.That river rises from the mountains through the middle of the town up to millions of years.Our skilled quides will take you to some of the best fishing locations of sheatfish,carps or sea bass. where can be readily viewed.This tour commences at approximately 7.00AM from the hotel with a scenic drive ,where we launch.Once settled into fishing,morning tea is provided.

A bit more fishing,then it’s time for a lunch of fresh sandwiches & fruit that can be taken in a shady spot on the bank ,or ‘’on the go’’ as you keep reeling them in.We pack up the roads about 4.00PM and get back to hotel approximately 5.00PM

FOR MORE INFORMATION / info@matiana.com.tr

Cappadocia Acitivities

CROSS GOLFCross Golf, a kind of golf played in natural environments and respecting nature, started to be in service in Cappadocia as from April 2009 within the leadership of Indigo Tourism. Cappadocia will be the only spot within the Unesco World Heritage in the world where Cross Golf is played. In this game which is played being loyal to the general rules of Golf, there is no hole but just a net. Cross Golf does not give harm to nature in any way, and it is one of the significant examples of “Responsible Tourism” concept in our country.
For more information ; www.crossgolf.com.tr

BALLOON FLIGHTS
One of the most exciting ways to experience the unique landscape and habitation of Cappadocia is to take a hot air balloon trip over the center of this area. Indeed, this is one of the most exhilarating balloon trips found anywhere in the world. Comfortable, quiet, and serene, this balloon adventure is a wonderful way to see the unique landscape as well as peek into the start of daily lives on the ground.

HORSE RIDING
Experience the incredible and unusual beauty of Turkey's Cappadocia region from the back of a horse. Something like a cross between the Grand Canyon and a moonscape, Cappadocia boasts some of the worlds most unusual and spectacular landscapes. Traversing the countless valleys and mountains by horseback brings riders in touch with the area's breath - taking beauty.

MORNING WALKING
Your guide will be Omer Tosun (the owner of Museum Hotel) and Gipsy (Our client relation manager – a cooker :) ). We will kindly ask 10 Euro per person for this lovely morning activity and all money directly goes to Charity for the childs!


WHIRLING DERVISHES CEREMONY (SEMA)
Sema is is the inspiration of Mevlânâ Celâleddin-i Rumî (1207 - 1273) as well as part of Turkish custom, history, beliefs and culture. It symbolizes in seven parts the different meanings of a mystic cycle to perfection (Ascension - Mirac). Contemporary science definitely confirms that the fundamental condition of our existence is to revolve...


COOKING LESSON
If you like to learn about the Anatolian and Cappadocian flavours, then you should definitelly experience this activity. Our international award winning chef gives the lectures personally.




BOUTIQUE WEDDINGS
Don't you want to make unforgetable one of your the best memory in your life? We can arrange a well organised Boutique Weddings in the Museum Hotel terraces and poolside which have one of the best location in Cappadocia.

Please do not hesitate to write us (info@cappadociaonline.com) for all other details and reservation.

Tatlarin Undergroundcity

The village of Tatlarin, located 10 km north of the town of Acigol, is one of the interesting places in Cappadocia because of both its underground settlement and churches and the architecture of its houses. Its underground settlement, located on the hill called ‘the castle’ by the locals of the village, was first discovered in 1975 and opened to the public in 1991. The size of the chambers in the underground settlement, only two floors of which can be visited; the presence of the toilets, which also can only be found at the Guzelyurt Underground Settlement; the abundance of the depots for food and of the churches make one think that this place was either a garrison or a monastic complex rather than an underground settlement.

The Tatlarin Church
The church is on the slope of the hill, called "the castle", in the town of Tatlarin, about 10 km north of Acigol. The narthex of the church, which has two naves and two apses, is collapsed. The well preserved scenes are separated from each other with dividers. The background is dark gray whereas with figures colors like purple, mustard color and red are used.

Scenes: On the apse Mother Mary and Baby Jesus, Archangels Michael and Gabriel; Constantine the Great and Helena, Transfiguration, Anastasis, Entry into Jerusalem, Crucifixion and portraits of 9 saints as well as the donor's.

Ozluce Undergroundcity

This underground settlement which is located in the centre of the village of Ozluce, the ancient name of which was Zile, is on the Nevsehir-Derinkuyu road, 6 km south of the town of Kaymakli.

Ozluce Underground settlement is different from the others in terms of its geological formation and architectural features. The underground settlement has tufa of different colors. There is only one floor in this underground settlement which has not been completely opened; however, it covers a very large area.

At the entrance is a place with two intertwining arches made of basalt. Access to the main tufa stone can be gained through a 15 m long passage, made of rubble stone. The stone places, which lead to the underground settlement, are more recent than the rock hollowed places that form the underground settlement. At the end of this passage there is a millstone door which is made of hard granite and is 1.75 m in diameter.

Being the largest area in the underground settlement, the main space at the entrance consists of two parts. To the right of the main space are storage rooms, and to the left are living areas. On the sides of the long corridors are cell-like rooms and on the floor are traps

Ozkonak Undergroundcity

This underground settlement is in the center of the town of Ozkonak, 14 km north of Avanos and hollowed out into the west slopes of the Idis Dagi ,where the tufa layers are mainly found.

Although there is only one floor, it covers a large area and the spaces are connected to each other with tunnels. Unlike the important underground cities of Kaymakli and Derinkuyu, there are very long and narrow holes to enable communication between the levels. When the entrances of neatly hollowed chambers were closed, those narrow (5 cm in diameter) and long holes were used also for ventilation.

Unlike the other underground settlements, just in front of the millstone doors, on the ceiling of the tunnels, there are small holes which were made to pour hot oil on the enemy, or to spear them.

As in the underground cities of Kaymakli and Derinkuyu, in this underground settlement are a ventilation shaft, a well, a winery and millstone doors.

Kaymakli Undergroundcity

This underground settlement which is located in the centre of the village of Özlüce, the ancient name of which was Zile, is on the Nevsehir-Derinkuyu road, 6 km south of the town of Kaymakli.

Ozluce Underground settlement is different from the others in terms of its geological formation and architectural features. The underground settlement has tufa of different colors. There is only one floor in this underground settlement which has not been completely opened; however, it covers a very large area.

At the entrance is a place with two intertwining arches made of basalt. Access to the main tufa stone can be gained through a 15 m long passage, made of rubble stone. The stone places, which lead to the underground settlement, are more recent than the rock hollowed places that form the underground settlement. At the end of this passage there is a millstone door which is made of hard granite and is 1.75 m in diameter.

Being the largest area in the underground settlement, the main space at the entrance consists of two parts. To the right of the main space are storage rooms, and to the left are living areas. On the sides of the long corridors are cell-like rooms and on the floor are traps.

Derinkuyu Undergroundcity

Derinkuyu (Melegubu) Underground settlement

Derinkuyu is situated 29km from Nevsehir, on the road to Nigde. The settlement is approximately 85m deep. It contains all the usual rooms found in an underground settlement (stables, cellars, refectories, churches, wineries etc.). Apart from these, a large room with a barrel vaulted ceiling on the second floor was a missionary school, the rooms to the left being study rooms.

From the 3rd and 4th floors onwards the descent is by way of vertical staircases which lead to the cruciform plan church on the lowest floor.

The 55m deep ventilation shaft was also used as a well. Not every floor was provided with a well, however, some wells were not connected with the surface in order to protect the dwellers from poisoning during raids. Derinkuyu Underground settlement was opened to visitors in 1965, but so far only 10% can be visited.